From the streets of New York to the walls of its most prominent galleries, follow the short, prolific, and politicized career of Jean-Michel Basquiat, a cult figure of artistic social commentary. This introduction explores how the young trailblazer drew from inspirations as varied as Greek, Roman, and African art, along with French poetry and jazz, to create visceral images mixing word with bold color.
The ’80s art star who put poverty, power, and racism on the wall
Basquiat’s work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz,and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond.
This book presents Basquiat’s short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth.
Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis titled “Jean Dubuffet’s Art Theory.” He is the Director of South Asia Programmes at the Goethe-Institute’s office in New Delhi and was previously active as a curator at various art institutions in Germany. His publications include TASCHEN’s Jean-Michel Basquiat and Jackson Pollock.